In a time when digital art is reshaping how we perceive reality and emotion, the work of Dead Seagull emerges as a hauntingly beautiful meditation on the internal world. Born in Poland and now based in London, Dead Seagull is a digital artist whose practice traverses the surreal, the symbolic, and the sacred. Her visual language is one of quiet tension — a moment suspended between collapse and clarity, dream and dread, life and myth.
A Practice Rooted in Ritual and Myth
Dead Seagull’s work stands at the crossroads of digital media and ancient storytelling. Drawing from mythology, spiritual ritual, and archetypal imagery, her compositions often depict lone, ethereal figures surrounded by otherworldly atmospheres. These figures seem to hover on the edge of something — not quite here, not quite gone — suspended in emotional or psychological flux.
At the heart of her art is a search for meaning in transformation. Her characters are not static portraits, but symbols of becoming: shedding skin, merging with the elements, or confronting shadow selves. The surrealism in her visuals doesn’t merely distort reality; it unearths deeper truths embedded in discomfort, beauty, and ambiguity.
Global Recognition and Multidisciplinary Reach
Despite the deeply intimate nature of her work, Dead Seagull’s voice has found a global audience. She has exhibited in cultural hubs such as London, Tokyo, New York City, and throughout Europe — gaining recognition for her ability to translate internal states into powerful visual forms. Her work transcends the gallery space, having collaborated with music labels, fashion brands, and cultural institutions. This multidisciplinary engagement speaks to the adaptability of her aesthetic — haunting and magnetic, whether projected on a screen, printed on textiles, or experienced in immersive installations.
Her background in mixed media, which includes digital illustration, 3D art, and traditional painting, allows her to construct a world that feels both otherworldly and emotionally grounded. Each image is crafted with surgical precision, yet pulses with organic feeling — like a lucid dream that stings with emotional clarity.
The Artwork: Poison Me.
One of her most evocative recent works, poison me., encapsulates many of the core themes that define Dead Seagull’s artistic language. The artwork features a lone figure in a state of quiet surrender, cradling a poisonous frog in her hands. The gesture is gentle, almost devotional — an acceptance of danger, even a communion with it. There’s no panic or resistance in the figure’s pose. Instead, there’s a profound stillness, as if the chaos has already passed, and what remains is transformation.
The frog, long a symbol in folklore and shamanic traditions, is a creature of dualities — it can be toxic, yet healing; grotesque, yet sacred. In poison me., this duality becomes the pivot point for a larger reflection on vulnerability and self-acceptance. The poisonous frog is not an enemy to be destroyed, but a truth to be held. It suggests that healing may come not from fighting what hurts us, but from understanding it — even embracing it.
This image does not scream; it whispers. It invites the viewer to linger in the discomfort, to feel the uneasy calm, and to ask difficult questions about what it means to be whole. Is transformation always gentle? Can surrender be an act of strength? In this quiet moment, Dead Seagull proposes that intimacy with our darkness may be the first step toward liberation.
A Visual World of Eerie Intimacy
What sets Dead Seagull apart in the crowded field of contemporary digital artists is her capacity to merge eerie visual aesthetics with emotional intimacy. Her works often appear cold or alien at first glance — sterile color palettes, unnatural lighting, and distant expressions — yet the longer one looks, the more emotionally charged the scene becomes. It’s a slow burn of recognition: we see ourselves in the solitude of her figures, in their trembling stillness, in their acceptance of the strange.
This balancing act — between surrealism and humanity, danger and grace — defines the power of her visual world. Her compositions offer no easy answers. Instead, they create emotional space for viewers to feel their own contradictions mirrored back at them.
The Digital Sacred
While Dead Seagull uses cutting-edge tools like 3D software and digital painting techniques, her work never feels overly technological. In fact, it’s quite the opposite: it feels ancient. Her practice invokes the feeling of sacred altarpieces or mystical visions, as if her computer screen is merely the latest incarnation of a timeless impulse — to find the divine in the depths of human experience.
By bringing spiritual symbolism into digital space, she also reclaims the digital medium as one capable of deep emotional resonance and metaphysical inquiry. It’s a rejection of the notion that digital art must be detached or impersonal. For Dead Seagull, pixels can carry the same weight as pigment; a digital figure can ache just as much as one rendered in oil or marble.
Conclusion: An Artist of Liminal Truths
Dead Seagull is not just creating beautiful images — she is shaping portals into states of consciousness rarely explored in visual culture. Her work sits in the liminal spaces between fear and beauty, danger and devotion, death and rebirth. Through pieces like poison me., she invites viewers not only to observe, but to feel — to witness the fragile courage it takes to hold something poisonous in your hands and not flinch.
In doing so, Dead Seagull positions herself as a vital voice in contemporary art: one who speaks in symbols, in silence, and in the language of transformation.
