Georgina Luisa Riveros Pi was born in Havana, Cuba, in 1964. She is an independent Cuban artist and designer recognized for her vibrant and imaginative works that merge design, color, and form. A graduate of the Higher Institute of Industrial Design (ISDI) with a specialization in Habitat Design (1991–1992), Riveros developed a foundation that combines artistic creativity with a strong sense of structure and function.
Her background in industrial design has profoundly influenced her artistic language, giving her a deep appreciation for the harmony between form and space. This understanding continues to shape her approach to painting, sculpture, ceramics, and decorative design fields she has explored with consistent innovation over more than three decades.
Artistic Journey and Exhibitions
Riveros began her professional career in the early 1990s and quickly established herself within Cuba’s dynamic art scene. Her versatility and vision led her to participate in numerous exhibitions across the country, including showcases at Galería L, Galería Víctor Manuel, and the Museum of the City of Havana.
Her exhibitions Transformations (1994), My Nature (2006), and Our Diverse Worlds (2022) reflect her ongoing dialogue with abstraction, geometry, and the emotional resonance of color. Each exhibition reveals her ability to reinterpret visual language and material exploration through new perspectives, transforming simple shapes into poetic expressions of harmony and rhythm.
Recognition and Contributions
Throughout her career, Georgina Riveros has represented the best of Cuban craftsmanship and design. She has participated in the International Handicraft Fair (FIART), earning multiple awards and recognitions for excellence and innovation in design. Her achievements have been acknowledged by the Cuban Association of Artisan Artists (ACAA) and featured in national publications such as Trabajadores de Cuba. Her influence extends beyond the art world into interior and environmental design. Riveros has contributed to major architectural projects for the Perfume Museum, Hotel La Unión, Palacio Azul, and the Islazul Hotel Chain. In these works, she integrates light, texture, and color to transform spaces into sensory experiences that engage both emotion and intellect.
The Language of Color and Geometry
At the heart of Riveros’ artistic vision lies a fascination with color, geometry, and the tactile quality of form. Working primarily with acrylic pigments applied by brush, she blends tones meticulously to create a balance between contrast and harmony. Her use of multiple varnish layers gives her works distinctive polychrome finishes, matte or semi-matte textures that enhance depth and luminosity.
Rather than depicting reality, Riveros constructs visual compositions that evoke emotion through rhythm, proportion, and tone. Her art becomes a meditation on movement and stillness, order and spontaneity. Each piece is both a study in precision and a celebration of intuition, where design meets feeling in perfect equilibrium.
Families of Form and Functional Art
A defining feature of Georgina Riveros’ practice is her concept of “families,” collections of modular works that share common palettes, forms, or visual rhythms. These series can be displayed individually or as cohesive groups, allowing them to adapt naturally to different environments. This approach reflects her training in habitat design and her belief that art should harmonize with its surroundings.
Riveros’ creativity also extends into functional and decorative art. She designs and crafts lamps, mirrors, murals, clocks, ceramics, and sculptural installations that blur the boundaries between art and utility. By combining materials such as wood, metal, fabric, and PVC, she bridges traditional craftsmanship and contemporary experimentation. Her objects and installations invite viewers to experience color, texture, and light as living elements within daily spaces.
A Contemporary Cuban Vision
Georgina Luisa Riveros Pi’s work is a vibrant reflection of Cuba’s artistic spirit, inventive, expressive, and deeply connected to culture and place. Her art draws from the country’s natural light, tropical color, and architectural rhythm while addressing universal ideas of balance, transformation, and serenity.
Through her synthesis of fine art, design, and craftsmanship, Riveros redefines the relationship between object and emotion, space and meaning. Her pieces not only decorate but also transform, offering environments infused with warmth, clarity, and vitality.
As she continues to experiment with new materials and techniques, Georgina Riveros reaffirms her place among Cuba’s leading contemporary artists. Her career stands as a testament to the enduring dialogue between creativity and design, a celebration of how geometry, color, and imagination can illuminate the spaces we live in and the emotions we share.
